One evening in Yucatan I was staring at the sky, letting my spirit roam among celestial bodies...Did this affect the wheel of astral motion, in its starry interdependence as regular as it is mechanistic? Not at all...

So I came to the simple conclusion that the most efficient way to enact with space is to place oneself at the same pitch.

In other words...to fully integrate oneself into it.

The cosmic is nothing but a mechanism, isn't it? ...my work turned mechanical...

It took me 10 years of therapeutic sculpture, working chisel in hand to finally cut the thread of the navel-gazing anecdote so that the work could float free, perfectly at ease amongst the cosmic-seismic cliff-spasms.

Until this leap of awareness I was still in the prenatal stage. This is why I am inviting creators animated by the same spirit, breathing it into their very work, whatever its style, technique or conceptual form, to gather into a constellation formed by the transcendent reality of the infinite multiplicity that I name: Cosmicart.

Biographical Notes

Born October 31, 1944, at Krutorozno (Russia). 1947, returns to Poland, from where his parents fled the Nazi invasion.

1957. Emigration to Israel and discovers carving in wood.

1967. Arrives in Paris, irregular attendance at the Ecole des Beaux-Arts.

1971. First cooperative exhibition - Salon d'Automne - Grand Palais. Ceases all creative work and travels the world, with prolonged periods in Japan, the Philippines, Mexico.

1977. Returns to Europe where, after having experimented in sandstone, his work continues to evolve.

ARCHAIC FIGURATION PERIOD

1980. As a result of first contact with marble in Petrasanta, Italy, immediately ignores sandstone.

ORGANIC ABSTRACTION PERIOD

1985. Establishes atelier in Paris, practices Zazen while at the same time, work in marble becomes more mechanistic. Creates Mushotoku-Machine.

MECHANIC-INDUSTRIAL PERIOD

1986. G.M.F-/-FNAC Prize awarded by Michel Baroin for the entire body of work.

1987. Rediscovery of Mexico and the start of a collection dedicated to the country's history, pre-Colombian mythology :

TECHNO-AZTEC PERIOD

1990. He founds the Cosmicart Group

From 1990 until 2003 realizing more then 100 works in marble,onyx,granite.

2000. He sold his studio in Paris in order to create monumental works in Pietrasanta.

2003. The inauguration of the Gallery Cosmicart en Puerto Vallarta.

2004. The introduction of the project "Resurrection of Tenochtitlan"

2005. The launching of the Millennium Action for Tolerance, " 12 Monuments for Tolerance ", to be install all over the planet, an appeal to enact a "Day of Tolerance" by the UN.

2006. Introduce the project "Hey Out There". Installation consisting of 12 hands stretched out from various places of the earth to salute the unknown beyond.

2007. Beginning of the Mexican Glass Period. Artist's interest with the incorporation of glass scultpture within interior design.

2008. Project "Tribute To Wine" is launched in California.

2009. The sculptor has decided to relocate to Cabo San Lucas as his next place of residence to explore, discover and bring to light new inspirations.